One price for the whole pipeline.

Ads Manager is free the way doing everything by hand is free. Uploading a 50-creative batch there means an hour of clicking, spinners, and retries, and your review process still lives in email threads and Dropbox links. upload.ad replaces that whole stack: storage, client approvals, and one-click publishing to Meta and TikTok. If your team ships creative weekly, it pays for itself in the first batch.

The opposite: solo is where the upload grind hurts most, because there is nobody to share it with. Drop a whole batch in at once, publish it to Meta and TikTok in one click, and skip the Ads Manager spinner-and-retry routine entirely. Your library stays organized by folder and version instead of Downloads-folder chaos, so next month you actually find the winners worth iterating on. The entry plan is priced for a single ad account.

Mostly the end of the "which file is final" conversation. One shared library with versions and statuses means you both always see the latest cut, comments live on the exact frame instead of in a chat thread, and either of you can publish the approved batch. Since pricing is per ad account and never per seat, the second person costs nothing.

A Meta or TikTok ad account you connect and publish to. Plans include a set number, and you can add more to any plan for a flat monthly price per account. Seats never factor in: your whole team works in the same workspace on every plan.

Nothing breaks and nothing needs configuring. On a paid plan your uploads keep working, and storage past the included quota bills automatically at $5.99 per extra 250 GB block per month, prorated from the day you cross it. Delete unused creatives and the charge drops off just as automatically. The free trial simply pauses uploads at its quota instead, since there is no card on file.

Meta (Facebook and Instagram) and TikTok, with the same creative library feeding both. Upload any image or video format the platforms accept, from 9:16 verticals to statics, and publish the same file to both networks without re-exporting. The library is ads-only on purpose: no PDFs or loose docs cluttering your creative space.

No. Publishing delivers approved creatives to your ad account, ready to use. Nothing starts running and nothing spends a cent until you put a creative into a campaign, either from the ad builder here or inside Ads Manager. You stay in full control of budgets and launch timing.

You connect Meta or TikTok yourself through their official login, and we request only the permissions needed to upload creatives and manage ads. We never see your payment methods and we never change billing. Disconnect an account any time from settings and the access is revoked on the platform side too.

No. Reviewers are free and unlimited on every plan. Clients open a share link, comment on the exact frame, and approve, all without creating an account. You only ever pay for connected ad accounts.

Invite them to the workspace and scope them to just the folders they edit. They upload cuts directly, you comment on the exact frame, and they push a new version to the same thread instead of a new file into a new link. When you approve, you publish. No seat charges, no shared logins, no exports flying around.

Yes, agencies are a core use case. Keep each client in their own folders, scope teammates to only the clients they work on, and connect each client’s ad account alongside the rest. Client reviewers are free and unlimited, so every client can approve their own creatives without touching your bill.

The 7-day trial needs no credit card, so nothing is charged automatically. If you do not subscribe, your workspace and files stay put and read-only until you pick a plan or delete them. No surprise invoices.

Yes, in one click from billing settings. Monthly plans run to the end of the paid month, annual plans to the end of the paid year, and you keep full access until then. Your creatives already delivered to Meta or TikTok stay in your ad accounts forever.

Those tools stop at approval: someone still downloads the finals and re-uploads them into Ads Manager by hand. upload.ad covers the same review workflow (timecoded comments, versions, statuses, share links) and then publishes the approved files straight to your ad account. One subscription instead of two, and the handoff disappears.